- #ALL THE INSTRUMENTS ON MUDDY WATERS ELECTRIC MUD HOW TO#
- #ALL THE INSTRUMENTS ON MUDDY WATERS ELECTRIC MUD FULL#
During an intermission, Dixon showed him the song. At the time, Waters was performing at the Club Zanzibar in Chicago. Chess responded, "if Muddy likes it, give it to him". Not long after the success of "Mad Love" in November 1953, Dixon approached Leonard Chess with "Hoochie Coochie Man", a new song he felt was right for Waters. In his autobiography, I Am the Blues, Dixon included "hoochie coochie man" in his examples of a seer or a clairvoyant with a connection to folklore of the American South: "This guy is a hoodoo man, this lady is a witch, this other guy's a hoochie coochie man, she's some kind of voodoo person". "Hoochie coochie" is also used to refer to a sexually attractive person or a practitioner of hoodoo. The dance is associated with entertainers Little Egypt and Sophie Tucker, but by the 1910s it declined in popularity. from the belly dance but punctuated with bumps and grinds and a combination of exposure, erotic movements, and teasing." By one account, it first appeared at the Philadelphia Centennial Exhibition in 1876 and was a popular attraction at the 1893 Chicago World's Fair. Don Wilmeth identifies it as "a precursor of the striptease .
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Appearing in the late 19th century, the hoochie coochie was a sexually provocative dance. The term "hoochie coochie", with variations in the spelling, is used in different contexts. The song became Waters' first record chart success in nearly two years. In September, Waters recorded his "Mad Love (I Want You to Love Me)", which Dixon biographer Mitsutoshi Inaba calls "a test piece for the forthcoming 'Hoochie Coochie Man'" because of its shared lyrical and musical elements. "Third Degree" became Dixon's first composition to enter the record charts. Finally, in 1953, Chess used two of Dixon's songs: "Too Late", recorded by Little Walter, and "Third Degree", recorded by Eddie Boyd. Dixon wrote several songs, but label co-owner Leonard Chess failed to show any interest at first. After the group disbanded, he worked for Chess Records as a recording session arranger and bassist. įrom 1946 to 1951, Willie Dixon sang and played bass with the Big Three Trio. even today, when you play the old blues like me, you can't get from around that. Because this is what black people really believed in at that time . When you're writin' them songs that are coming from down that way, you can't leave out somethin' about that mojo thing.
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Although Waters was ambivalent about hoodoo, he saw the music as having its own power: Similar lyrics appeared in "Hoodoo Hoodoo", a 1946 recording by John Lee "Sonny Boy" Williamson: "Well now I'm goin' down to Louisiana, and buy me another mojo hand".
#ALL THE INSTRUMENTS ON MUDDY WATERS ELECTRIC MUD HOW TO#
He sings of traveling to New Orleans, Louisiana, to acquire a mojo hand, a hoodoo amulet or talisman with its magical powers, he hopes "to show all you good lookin' women just how to treat your man". Waters expanded the theme in "Louisiana Blues", which was recorded in 1950 with Little Walter accompanying on harmonica. Well you havin' a good time now, but that'll be trouble after awhile You know the gypsy woman told me that you your mother's bad luck child The Blues Foundation and the Grammy Hall of Fame recognize the song for its influence in popular music and the US Library of Congress' National Recording Registry selected it for preservation in 2004. Numerous musicians have recorded "Hoochie Coochie Man" in a variety of styles, making it one of the most interpreted Waters and Dixon songs. The original appears on the 1958 The Best of Muddy Waters album and many compilations. When Bo Diddley adapted it for " I'm a Man", it became one of the most recognizable musical phrases in blues.Īfter the song's initial success in 1954, Waters recorded several live and new studio versions. The stop-time riff was "soon absorbed into the lingua franca of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. Dixon's lyrics build on Waters' earlier use of braggadocio and themes of fortune and sex appeal.
#ALL THE INSTRUMENTS ON MUDDY WATERS ELECTRIC MUD FULL#
The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement.
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" Hoochie Coochie Man" (originally titled " I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. 1954 single by Muddy Waters "I'm Your Hoochie Cooche Man"